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Sunprints
Related Subjects: Visual &
Performing Arts, English-Language Arts
Grades: 4-6
Medium: Mixed Media
Author: MoPA Education Department
Class time required: One 60-minute class session
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Sunprints are photographs made without cameras.
Technically called cyanotypes, they are made by placing objects directly
onto light-sensitive paper and then exposing the paper to light. The
resulting image is unique and shows white shapes against a blue background.
In this one-session lesson, students will be introduced to Visual
Thinking Strategies (VTS) and will create sunprints. Using photographs
from a variety of time periods, students will discuss and analyze
the subjects, the time period, and photographers’ angles. Students
will also record their ideas and reflections.
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• Paper and pencils
• Sunprint kits
• Black bag from Sunprint Kit
• Large pan or deep trays to rinse sunprint paper
• Objects (dried flowers, leaves, or other flat objects with
a distinctive shape)
• Visual
Thinking Strategies
• Images Online
Materials
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Images
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Beach
Scene (Children in Surf)
Roland Schneider |
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The
Roman Arena in Arles, France
Jan van Leeuwen |
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Es
gab einmal 6000000 (Once there were 6000000)
Jan van Leeuwen |

Explore Art page
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Explore Art page
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Explore Art page
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Arbeit
macht frei (Labor liberates)
Jan van Leeuwen |
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Aber
das letzte wort hatte immer ein spazierstock (But the last
word had always a walkingstick)
Jan van Leeuwen |
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Explore Art page
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Explore Art page
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• Familiarize yourself with Visual Thinking
Strategies (VTS). Read this overview of Visual Thinking Strategies
written by Abigail Housen and Philip Yenawine at Visual
Understanding in Education. • Print
the images listed on overhead transparencies
• Purchase enough sunprint kits for each student to have a sheet
of sunprint paper. Read the directions so that you will be familiar
with the process.
• Have the students collect objects and cut shapes out of paper
for their sunprints. Make sure each student has a few things to work
with.
• Fill the trays with water.
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1. Begin a discussion with the students about
photography: What is photography? Where have you seen photographs?
Who has used a camera before? What do you like to take pictures of?
Why do people take photographs?
2. Show the students one of the photographs. Ask the students the
following questions: What’s going on in this picture? What
do you see that makes you say that? What more can you find? After
each student provides a response, acknowledge his/her response by
pointing to the image and paraphrasing what he/she said. Continue
this questioning for 5-10 minutes.
3. Have students select their objects and decide on a composition.
(Tip: Have the students organize the objects on a piece of paper before
going outside.)
4. Take the students outside with their objects and pencils. Keep
the sunprints in the black bag until you are ready to use them.
5. Before giving each student a sheet of light-sensitive paper, emphasize
that since the paper is light-sensitive, it will react to light as
soon as it is removed from the black bag.
6. Make sure each student is ready with his/her objects and pencil.
7. Give each student a sunprint sheet.
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8. Have the students place the light-sensitive
paper on the ground where it can receive
plenty of sunlight. Immediately, have the student write his/her name
in the corner of the sunprint paper and place the objects on the paper.
Instruct the student to leave the objects alone and to not move the
paper around.
9. Once the students’ papers turn white (5-10
minutes) take the objects off of the paper, gently rinse the paper
in a shaded area for one minute, and then place the paper flat to
dry. (Tip: if you are not rinsing the sunprint immediately
or do not have enough room in the rinse tray, place the sunprints
in the black bag until you are ready to rinse them to prevent further
exposure to light.)
10. Discuss with the students how the sunprint process worked. Talk
about the various factors that affected the results: exposure time,
brightness of the sun, how flat the objects lie on the paper, etc.
(Relate it to a sunburn.)
11. With the students, have a discussion about the composition of
the sunprints (negative/positive patterns, asymmetry/symmetry, etc.).
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• Sunprints can be purchased at the Museum
of Photographic Arts bookstore, online,
or in stores that sell educational toys and crafts.
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CA Content Standards
Fourth Grade Visual Arts:
1.2 Describe how negative shapes/forms and positive shapes/forms are
used in a chosen work of art.
2.6 Use the interaction between positive and negative space expressively
in a work of art.
3.1 Describe how art plays a role in reflecting life (e.g., in photography,
quilts, architecture).
4.1 Describe how using the language of the visual arts helps to clarify
personal responses to works of art.
Fifth Grade Visual Arts:
1.1 Identify and describe the principles of design in visual compositions,
emphasizing unity and harmony.
2.4 Create an expressive abstract composition based on real objects.
3.3 Identify and compare works of art from various regions of the
United States.
4.1 Identify how selected principles of design are used in a work
of art and how they affect personal responses to and evaluation of
the work of art.
Sixth Grade Visual Arts:
1.2 Discuss works of art as to theme, genre, style, idea, and differences
in media.
4.1 Construct and describe plausible interpretations of what they
perceive in works of art.
4.2 Identify and describe ways in which their culture is being reflected
in current works of art.
Fourth Grade English-Language Arts:
1.1 Ask thoughtful questions and respond to relevant questions with
appropriate elaboration in oral settings.
1.5 Present effective introductions and conclusions that guide and
inform the listener's understanding of important ideas and evidence.
1.8 Use details, examples, anecdotes, or experiences to explain or
clarify information.
Fifth Grade English-Language Arts:
1.1 Ask questions that seek information not already discussed.
1.5 Clarify and support spoken ideas with evidence and examples.
Sixth Grade English-Language Arts:
1.5 Emphasize salient points to assist the listener in following
the main ideas and concepts.
1.6 Support opinions with detailed evidence and with visual or media
displays that use appropriate technology.
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Teachers
Technique:
Oelbaum, Zeva. Blue Prints: the Natural World in Cyanotype Photographs.
New York: Rizzoli, 2002.
Photographer’s
Tool Kit: Alternative Photographic Process, Part II
Detailed explanation of the process of creating
a cyanotype.
History:
James, Christopher. Book of Alternative Photographic Processes.
Albany, N.Y.: Delmar Thomson Learning, 2002.
Cyanotype
History
A brief history of the cyanotype process with images.
A History
of Photography: From its beginnings till the 1920s
Essays on how photography began and information
on some of the most significant processes used during the early days
of photography. Includes an alphabetical list of significant people
and their contribution to photography.
Wikipedia
A brief history of the cyanotype process and history.
Visual Thinking Strategies:
Vue: A Solution to Education’s Challenges
Visual Understanding in Education (VUE) conducts
educational research focused on aesthetic and cognitive development
that results from interaction with art. Based on its findings, VUE
develops programs for schools and museums, principally Visual Thinking
Strategies (VTS).
Students
Technique:
Arnold, Caroline. Sun Fun. New York: Watts, 1981.
Buckingham, Alan. Photography, DK Eyewitness Books. New York:
Dorling Kindersley, 2004.
Bulloch, Ivan. Design. New York: Thomson Learning, 1994.
History:
Blankston, John. Louis Daguerre and the Story of the Daguerreotype.
Hockessin, DE: Mitchell Lane, 2004.
Ford, Carin T. George Eastman, The Kodak Camera Man (Famous Inventors).
Berkeley Heights, NJ: Enslow, 2004
Strangis, Joel. Ansel Adams: American Artist With a Camera.
Berkeley Heights, NJ: Enslow Publishers, 2002.
Hands
on History of Photography.
Entries on the history of sunprints, pinhole photography
and camera obscura.
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More
student examples |
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Sunprints
4th grade student
San Diego, CA
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